Mike Sanchez
You could call him a photographer, but that too would miss the mark. Sanchez, who holds a BFA with a focus on photography from the University of New Mexico, takes a wider-lens approach to art.
"I feel fortunate to have developed my photography skills during the transition between the film era and the digital," he says. "I learned classic darkroom techniques and how to create within the physical limitations of film, but was also introduced to the enormous potential of using digital photography to create whole new forms of art. Photography could become anything my mind could capture or create."
This genre-busting philosophy is evident in his work. His series Streetcars of San Francisco melds images of those familiar cars with retro-tinged graphic design for a collage-like effect; his photographs of Brian Goggin's Defenestration have the decided quality of surrealistic paintings; and his most current projects give one the sense they are viewing photographs...while macro-dosing LSD.
Perhaps it's inventing that is Sanchez's true craft. From the time he was a kid, he was drawn to whatever he could imagine and build, be it Legos or metalwork. So when he relocated to San Francisco and became quickly acquainted with the artist's reality here (hi, restaurant jobs), he had to get crafty to survive before eventually (over two years later) being able to support himself as a full-time artist.
"I've had to get creative with many odd photography and design jobs, and while incredibly challenging, it has also been immensely rewarding to have control over my career, and to craft together my life as an artist." -- 7x7 Editors
"I feel fortunate to have developed my photography skills during the transition between the film era and the digital," he says. "I learned classic darkroom techniques and how to create within the physical limitations of film, but was also introduced to the enormous potential of using digital photography to create whole new forms of art. Photography could become anything my mind could capture or create."
This genre-busting philosophy is evident in his work. His series Streetcars of San Francisco melds images of those familiar cars with retro-tinged graphic design for a collage-like effect; his photographs of Brian Goggin's Defenestration have the decided quality of surrealistic paintings; and his most current projects give one the sense they are viewing photographs...while macro-dosing LSD.
Perhaps it's inventing that is Sanchez's true craft. From the time he was a kid, he was drawn to whatever he could imagine and build, be it Legos or metalwork. So when he relocated to San Francisco and became quickly acquainted with the artist's reality here (hi, restaurant jobs), he had to get crafty to survive before eventually (over two years later) being able to support himself as a full-time artist.
"I've had to get creative with many odd photography and design jobs, and while incredibly challenging, it has also been immensely rewarding to have control over my career, and to craft together my life as an artist." -- 7x7 Editors